ZZ TOP / EL LOCO Press release.
Walter Belgers - wsgwwb@urc.tue.nl
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                           ZZ TOP STORMS CONTINENT
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In one of the most succesful debut European tours ever  launched  by  a  Warner
Bros. artist, ZZ Top's 22 date October tour of the  continent  created  a  sen-
sation rarely  witnessed  on  that  side  of  the  Atlantic.   The  Texas-based
trio, whose latest Warner Bros. release El Loco, soared  to  the  top  of  many
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European charts as a result of the  tour,  performed  for  sold-out  crowds  in
Scandinavia, Benelux, Germany and France.  The result was pandemonium  and,  in
one case, a near riot.

In Stockholm, where the group did one date only, the venue was sold  out  in  a
matter of hours, sparking heavy airplay on Swedish  radio  and  an  upsurge  in
ZZ Top catalog sales.  The band's Copenhagen  performance  was  met  with  wild
enthusiasm by critics and fans alike.  The two hour concert ended with  dancing
in the aisles and a Danish newspaper account that remarked,  "They  came,  they
played, they conquered." In London, the band's sold-out appearance was attended
by such luminaries as The Police, Nick Lowe, and labelmates Thin Lizzy.  Ticket
response, according to WEA U.K. spokesperson, was unprecedented.

Each of ZZ Top's eight German appearances, in such cities as Berlin, Frankfurt,
and Hamburg were sold out weeks in advance.  As  in  almost  all  countries  in
their European tour, critical response in  Germany  was  overwhelmingly  favor-
able.  But it was in Paris where the group met its most fervent and  unexpected
response.  Demand for tickets for the  band's  Pavilion  performance  caused  a
complete sell-out weeks in advance. A second show, also sold  out  immediately,
was added, but there was still a minor riot the evening of the second  perform-
ance caused by disappointed French fans unable to see the show.

"There is no doubt that ZZ Top has become  a  major  touring  act  in  Europe,"
remarked  Tom Ruffino,  Warner  Bros.  Vice  President  of  International.  "We
sensed a groundswell of interest at  the  time  of  the  release  of  Deguello,
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but held off until now to see how it would develop.   The  response  was  spec-
tacular.  We booked them this time around in 3,000 to  4,000  seat  venues.  We
could easily have gone for 10,000 seaters, which we fully expect to  fill  when
the band returns next year."

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